Tuesday, April 29, 2008

Black Guidry & things in three's.


Hello readers,

The Bayou is a strangely eerie place. I first caught wind of our collaborator Guidry Black from an experience my parents had riding on his tour boat through the swamps when they were in Louisiana helping rebuild homes after Katrina hit.

Upon entering the area where Black's boat is docked, we meet the owner of the business who receives a call while we are there on his old wooden deck that his brother in law has shot himself. He then reveals that if he can survive his son's death of a couple years prior, he's able to take anything.

Guidry arrives a few minutes afterwards in his Honda Element, though the Honda logo is covered by a Kia cutout sign. See, Guidry is kind of an actor also and was in a couple of Kia spots. Perhaps he feels obliged to camouflage the logo. I couldn't really tell. Probably old time Cajun humor seeping in.

His boat is called The Cajun Man. Talking to him, you get the feeling that he's the last of the line, an old gossamer carrying the final spirit of these nova scotia transplants beneath his broad rimmed hat. He's probably right. The swamp is a lonely, bug ridden place with it's own brand of quiet beauty.

It is hard to tell whether the Guidry experiment worked. There were a couple of ideas strummed and hummed while Black's boat engine pushed us out into the wild, with Guidry's pat swamp guide routine coming in and out of the headphones. Eventually, after seeing a few alligators and such, we come to rest in a descent area to make music. We only brought a few guitars and a recorder. Guidry tries to jump in on the song, but there's probably too many chords as Black is a country rock man at heart. His instruments are an old Guild and a cajun accordion which is brilliantly composed of a number of disparate objects.

After kind of moving on to hear Black's own songs, we are startled every time he sings with his enormous swampy yelp. Fun stuff for sure. Guidry's has old stories about the bayou many contain people and old dogs that we randomly, awkwardly find out are dead.

Toby and Jason have been writing a comic masterpiece on the bus so today on Guidry's boat, we are all dressed in medical scrubs and goggles. Of course, we manage to coerce Black into acting in a few scenes on the boat. He is more than happy to oblige for showman is clearly in his blood.

Later that night, we spend the creepy evening literally on the swamp in a makeshift zoo Black recommends.

I find them nice folk and a little sad as well. The woman's prior husband (you guessed it) died no long ago. Her newer cajun beau gives us a mosquito filled tour the following morning showing us their enormous pet gator Troy along with a bevy of penned indigenous creatures. I needn't go much further on my views of this as it only furthers my sullen mood on Louisiana vs the animal kingdom. We barely escape the menagerie alive as the mosquitos have been known to devour californians from time to time.

Nathan

Monday, April 28, 2008

Location Seven - The Bayou


Scrubs.


Mosquito feast.


Gas price.

Sunday, April 27, 2008

Dorkbot


Our experience today had special value to us being avid synth heads from the eighties and getting a chance to see someone basically retrofit old atari and commodore computers for use as electronic instruments. Yes folks, we were lucky to meet sound farmer Paul Slocum in Dallas at the art gallery he lives in the rear of. When we first arrived at the Andor (not the Ewok planet, btw) gallery, Paul was in mid-combat with the owners of the second hand store next door who apparently had an issue with the fact that we needed to get their car moved in order to load in. After much waiting for the smoke to clear, we hauled all our crap into the narrow white room. Paul looks a bit like Tom Bailey of Thompson Twins which is of course quite cool and is really focused on his somewhat nerdy world of math music.

His 8 bit atari setup was particularly fantastic given my history with the 2600 as a teen. I dug how he used the pong paddles as filter controls and even reprogrammed certain games with new blippy music. For instance, his Berserker game is called Mr. Roboto and the seminal Styx song is used to great cheesy effect against the robotic pursuers.

We actually planned to finish the song by the time we left for a Karaoke bar with intent on performing our new song there. Unfortunately that didn't happen, but we did manage to finish at a reasonable hour. Paul's sounds are really inspiring. So much so that I was a little remiss adding too much on top of it. But that layering is kind of how we work and will undoubtedly thin it out in time.

This day also marked the halfway point in our journey so after we wrapped, we lived it up a bit at the Karaoke bar (which is strange in Texas as a LOT of people sing country and do so without sarcasm). Toby did an amazing Joe Cocker, Merritt did Prince, Clark on Michael McDonald and I crucified Rick Astley.

Before we split Dallas, Paul held a get together for fellow electronic artists called Dorkbot. I felt honored to be front row at their first ever meeting.

Thursday, April 24, 2008

A Bug's Life


A Bug's Life

Bugs and I have met before a few times in Portland back in the nineties. He claims we kissed once at a Karaoke bar, but I have no recollection of this. He is basically a Mexican Little Richard/ Bob Dylan looking cat who was stricken by the Beatles and other great popsmiths at a young age.

My good friend Brady Woodcock phoned me out of the blue and when he learned we were going through New Mexico to record in Marfa Texas, (well, we ended up in Valentine to be specific) he mentioned this character we used to hang with.

The main thing we were going to see in Marfa was the fake Prada store that is an art installation in the middle of nowhere sort of designed to fall apart. Approaching it all illuminated at night was quite a surreal event. That's where we met Boyd Elder, a famous artist Toby's dad knew. During the seventies, Boyd was renowned for his Eagles album covers. He looks a bit like Carl Lagerfeld outside this art facade. A couple of us join him in his souped up 1969 Mercedes only to realize that the trailer fell off our RV. After sorting that out, we are invited to spend the night at Boyd's ranch. We agree to spend the following night there as we are already reserved at the Thunderbird motel, but follow him into the desert to rid ourselves of the awkward trailer. I spend the night on the RV with hopes of seeing the famous "marfa lights", a mysterious light phenomenon first reported in the 1890s. The only thing disturbing my sleep seemed to be a very loud feline sex party going on in the brush. The stars are so incredibly bright out here, it's amazing.

Next day in Marfa, Boyd has hooked us up with a radio interview at the NPR affiliated 93.5 FM and after completing some much needed laundry action, we head off to Boyd's ranch. He leads the way after we run into him getting gas in town.

Boyd's ranch is incredible. He has mostly lived here throughout his life. He was all over the sixties. Met everyone important. The trip to his ranch today, he resembles much more his good friends Jack Nicholson and Dennis Hopper, a real cool easy rider type, sussing out his leather clothing line from this remote compound with his three cats, two dogs and a couple of horses. Admittedly socially awkward, he relishes his privacy and laments the growth spurt Marfa is apparently experiencing.

He used to raise chinchilla in the building we set up recording gear. He begins cooking us our meal as Bugs and I start the mexican inspired tune. Bugs has brought with him a guitar-like Cuban instrument called a tres which inspires the key of the song we eventually get to..
Bugs is very blues inspired, which is great. He is truly at home on a fret board and during my interview, the group comes up with a blues jam, which I try and jump into but eventually burn out as it sounds like another band I cannot name. Clark feels we can still make something of it, so we leave that and move onto another song.

After turning in around three AM, we wake up the next morning to begin our long journey to Dallas and the antique music technology of Paul Slocum.

Wednesday, April 23, 2008

Location Five - Marfa, TX


We all want to move to Marfa and do nothing.


Bugss.


Spike checking out Boyd's ride.

Tuesday, April 22, 2008

Time is not my friend.



Good Readers,

Our recording this day in Madrid New Mexico has been our most challenging one yet. We are utilizing a metal-smith's shop as a studio where we're surrounded by his cool steel art pieces. The collaborator this time is a woman who plays fiddle named Linda, but she tells us when she plays her instrument that her name is Violinda. It is a very small town where a lot of artist seem to live.

Toby has taken the RV into town to gas up and is followed back to the studio by a drunkard named Lane. I somehow assume this guy is Toby's dad who is to meet up with us there. He proceeds to hog time playing our instruments and vocalizing. We stick mics on him and make the most of it until Violinda turns up.

Tomorrow is helper Toby's 31st birthday and right now he is learning to weld us a Good Listeners metal sign. Another sparkling element added to the chaos of sound in the room that has been partially made from an old train car as are many of the buildings in Madrid.

This day, we've decided to unearth the piano and make that the starting instrument as I was under some sort of impression that Violinda was a classical player. We wrote something in a good key for violin and by the time she got there, we had sort of a waltz for her to play to. As it turned out Linda was more of a fiddle player but was a very nice and youthful woman who put down a number of fills (she's a little fill happy) that we'll chop up and use I'm sure.

After she laid down some serious movements, we got Spike and Merritt to contribute and though covered in filth (Madrid is a coal town after all....) we left with a pretty cool and haunting piece with drunken sad man providing the main hook in the verse.

Later, said sad man snuck away and managed to flip his car over on the drive home. He is OK but spent the night in jail. It was a bit depressing but hopefully he will learn from it all. A sweet man with a lot of unused talent.

I am writing from the RV on the way to Marfa Texas to make sound with a man called Bugs.

Nathan

Monday, April 21, 2008

Location Four - Madrid, NM


Spike inside Michael Austin Wright's Metal Shop, Madrid, NM.


Merritt, that damn camera & Toby, our personal iron smith.


Lane, our stuble'inner collaborator in the trailer, pka, piano room.

Sunday, April 20, 2008

Wild West Junction


We arrived at the motel in Williams AZ. today and moved into our rooms which were converted train cars outside of the town. We were told that the trains have a ghostly history, but the two nights spent there revealed no phantom powers.
Clarence Clearwater was the artist we worked with today in a fake old west town someone built with the intent of giving visitors kind of a Knott's Berry Farm experience near the Grand Canyon (which we somehow managed to sneak in).

Clarence is exactly how I imagined him, a real cool character full of stories and laughter, Like Bingo before him, he truly has a lust for life and his girlfriend, Kat is really chill as well. Clarence brings with him two nice acoustics and four capos.

Everyone in fake old west land is anachronistic, even the "sheriff" packs a real sidearm and is actually running for actual mayor. Strange and fun stuff!
We set up in the middle of a very windy courtyard amongst fiberglass cowboys and dilapitated "old" porches and waited while Clarence serenaded us with his own material and we got to one he made sung in Navajo which is essentially a prayer from a man to his horse. Absolutely beautiful. Clarence has made a number of albums (six) and goes on to say that in Mexico, a version of this song is quite popular. He generously says we can have it for ourselves and wants nothing in return.

Recording goes into the evening and the freezing wind becomes a real issue for the microphones and the crew. Thankfully, we end up with a great recording in which Clarence did his own dynamic backups. We are very pleased with the results. Later, we eat with them at their fave diner and stories galore occur. Clarence is quite a storyteller.

The next day,we went on a field trip to the train Clarence is a musician performer on. I took part in a cheesy costumed skit that the train company performs daily (I am the captive kiwi tourist) and then we headed off toward Santa Fe. Clark forgot his suitcase in the train motel and lucky for me we went back cause I left my boots there as well!

From the terrifying bouncing cabin of our winnebago,
Nathan

Saturday, April 19, 2008

Location Three - Williams, AZ


Marcin filming Spiker and Nathan.


Grand Canyon.


Nathan poised as a tourist in faux Gunfight.

Friday, April 18, 2008

Arcosanti and the Arconaughts


Good day, good readers!

For the second song, we recorded at Arco Santi, an experimental town in the deserts of Arizona overlooking a rugged canyon. We arrived at eleven and found our guide who didn't want to be filmed but was kind enough to take us through Paulo Solari's unique architecture which looks a bit like the digs that the simians from Planet of the Apes lived in. We were taken past the bell foundry and ceramics labs where the small community of sixty maintain their meager but comfortable existence through the gift shop. Spike had dreams that night of shrinking monkeys. Personally, my dreams that night were laced with images of Ben from Lost bursting into my room with a gas mask on. There is a kind of Dharma Initiative vibe about the place which of course gave way the next day when we me the Others.....

The following day, we set up the studio in the outdoor shelter of two enormous arches and waited while our team picked up our collaborator, Cindy and her boyfriend Jerry in Phoenix. Clark started making a jazzy little ditty now called 'everything is useful' that he thought Cindy might be comfortable singing. In the wait, I came up with another less appropriate track we might eventually get to in the trip.

When Cindy and Jerry arrived, I was taken by how sweet and energized about this crazy ass project she was. She had some reservations about doing this, but after meeting Merritt and our team, they quickly melted to zero and she was completely onboard, even co-writing the lyrics. After recording a couple of passes we tried unsuccessfully to hypnotize Jerry who has been Cindy's accompaniment for years to add to our song. That said, I think they both really had a good time and I felt strangely touched by working with Cindy. She carries with her not an ounce of pretense, which is a very refreshing change from the the pool we usually swim in. Being a friday night, we were allowed to play till midnight, but around eleven the Arconauts started arriving with beers in hand so we stopped and joined in the shenanigans.

We are now on the road heading toward the Grand Canyon where we'll continue our movie-making which we are doing between songs to ease tensions (except poor Marcin who has to film it all). Oh, I almost forgot. Our movies. Last night, there were these CRAZY goatlike sounds coming from every drain in Doctor Suess land. We finally caught one of the little culprits in the act of hopping through our makeshift studio after an insect. Yes, frogs. Little guys issuing these enormous belches. So anyway, our movies today revolved around utilizing the frog sound in absurd ways. The place we are staying tonight is in a supposedly haunted caboose in Williams and then tomorrow recording in a boxcar in Madrid Arizona. Nobody has ever been killed by a ghost, right?

Carsick,
Nathan

Thursday, April 17, 2008

Location Two - Mayer, AZ


This is not one of us.


Our home for the next 25 days.


Cindy Francois, our collaborator for the day, Merritt, Nathan & Spike.

Wednesday, April 16, 2008

Bingo And the Integratron


Bingo And the Integratron,

It's no doubt that aliens have been here. Integratron was built by Van Tassle, a Hughes test pilot after receiving instruction from aliens on it's design. Largely funded by Howard Hughes, the dome-shaped wooded structure is split in two layers, the upstairs having great acoustic properties and an almost Sistine Chapel feel. The couple that own the land are vibrant and speak of the building in a very general way, neither admitting nor dismissing the alien aspect of it all, but offer the notion that whether or not it was true, they concentrate solely on the healing quality of the building and use it for sound therapy sessions people attend.

When Van Tassle died in the late seventies, the Intregratron was stripped of its mechanisms so mostly what remains on that front are aluminum and copper wires and the row of spinning antennae that encircle the structure. His aim apparently was to basically use the building like a giant Tesla coil, harvesting hundreds of thousands of volts into the space. People were then meant to enter through the doors and leave with cellular improvements and perhaps longer life spans.

Our collaborator, Bingo knows these folks well. He is a really gifted and truly free spirited guy who's kind nature was undeniable. We jammed for a bit this kind of Zeppelin number and then later turned our attention to the acoustics of the upstairs, utilizing it for a variety of fun and silly vocal experiments which reminded me a fair bit of Ligetti. We settled on a kind of hypnotic pop song that Bingo played banjo on. He was very good and things flowed very well for us.

Our morning was spent packing and doing a stop animated film with Bingo as our evil nemesis ala Power Rangers.

Things were alien indeed.

Tuesday, April 15, 2008

Location One - Jousha Tree, CA

First stop, the Integratron in Joshua Tree National Forrest.

butterflies and land mines


How does it happen? You picture something in your head and then, voila. Well, that is what's happening today. Nathan and I are packing our recording studio into a trailer that is attached to an RV and we are heading to New York City. We are going to stop in 12 towns along the way, set up our studio and collaborate with a local musician within our 'song-a-day' practice. Every odd day we travel to a new town, every even day we set up and record. We've got the first 4 locations hammered down and we are working daily to plot out the remaining locations.

We've got a group of 5 additional folks traveling with us to help make this happen, they are mostly comprised of the film crew as we are documenting this journey. (more on them later)

We will all take time to put up messages here, so please check back daily to get the latest updates.

I'd like to thank A'dge and John Loar for making this trip possible.

Please send us your good thoughts for safety and adventure. Ok, I'ma gonna get packing!

Clark